New Here?

Hey folks, welcome to Spitball!, the world's first screenplay written by blog.You may want to read the posts in our about section, particularly our Statement of Purpose

Or, you can start on the first post and work your way through sequentially by using the 'suceeding' links above the post name.

Who?

There are two of us here: Kent M. Beeson (aka Urban Shockah) bio, and Martin McClellan (aka Burley Grymz) bio.

Speedy Synopsis

After fighting through 50 different story ideas, the boys have picked Time to Die as the script to write. They are now starting the writing process.

Sequence Method Question

Should each plot thread have its own Point of no return? I'm dissecting a movie right now, and I think I've identified five potential PONR, but each have different impact on the primary story (which is muddy to begin with, and cross pollinated with other issues). Any feedback on this? Should the PONR focus on the primary story line, or should each have its own?

And, if it does, should each also have its own predicament and main tension? How microscopic should one get with these things.