New Here?

Hey folks, welcome to Spitball!, the world's first screenplay written by blog.You may want to read the posts in our about section, particularly our Statement of Purpose

Or, you can start on the first post and work your way through sequentially by using the 'suceeding' links above the post name.

Who?

There are two of us here: Kent M. Beeson (aka Urban Shockah) bio, and Martin McClellan (aka Burley Grymz) bio.

Speedy Synopsis

After fighting through 50 different story ideas, the boys have picked Time to Die as the script to write. They are now starting the writing process.

Round 10 - Discussion [Rasputin the Translator v. Time to Die]

Well, I guess we now open the floor to discussion about the two stories. As Burley already knows, I'm feeling a little bit under the weather (but hopefully not the Boogie Woogie Burley Flu), so my thoughts aren't as coherent as I'd like them to be. So rather than pontificate in a woozy state, I'm just going to throw out some questions, and let Burley run with it where he may (which may or may not include answering the questions -- he's not like, under oath or anything).

1. We don't really seem to know what the actual story is for Rasputin the Translator. Should that be a factor in whether it advances or not?

2. There are a still a couple of bios that I'd like to see: Rasputin's Cecile, and Time to Die's unnamed warden character. Should those be written now, during this discussion, or wait until the stories have (potentially) moved on, or what?

3. What are we looking for when we decide whether to move these stories on? Is it simply a gut thing, or can it be stated in a quantitative way?

4. Did we ever decide what Time to Die's prison was like? Last time we talked about it, it seemed like we had different conceptions (I was thinking something more traditional, just on a different planet, but you seemed to be thinking about a more expansive, outdoorsy "prisoner reserve" kind of deal, if I'm not mistaken.) I got no preferences, I can go with the flow, but setting helps determine character, so it might be a good thing to figure out.

5. What exactly were your plans for September's stripper and dominatrix pals, anyway?